Einaudi, Torino, 2014. … FRANCO MARINEO, IL CINEMA DEL TERZO MILLENNIO. IMMAGINARI, NUOVE TECNOLOGIE, NARRAZIONI
FROM THE FLATBED TO THE INDEXICALITY // NEW POSTMODERNISM LANGUAGES
Giulia Pergola
During Postmodernism, Modern era positive values have been replaced by a critical consciousness which destroyed the “modern project (of universality)”[1] to reach a systematic deconstruction of the whole amount of previous period certainties.
Now, the work of art feeds itself with a more structured and diversified reality and gives back a self interpretation that is not univocal and, especially, is not based on a unique level of experience (the visual one). It requires a mix of elements (visual, verbal, conceptual) that have to be considered as one to get a fulfilled experience.
… FROM THE FLATBED TO THE INDEXICALITY // NEW POSTMODERNISM LANGUAGES
FRANCESCO CIAVAGLIOLI, APNEE
Francesco Ciavaglioli (Avezzano, Italy, 1983). His artistic research is characterized by various and mixed media, through which he deals with the theme of image and its dissolution.
DANIEL DUARTE // THAT WHICH REMAINS. THE TIME AND THE NECESSITY OF PRESENCE
MARCO DONNARUMMA // THE SOUND OF ABSENT BODY
curated by Arianna Forte
«The invisibility of the eye within its own visual field, the diaphanous embodiment of language, the inaccessibility of the visceral organs: these all exhibit their own principles of absence, which can only be teased apart by a careful investigation.»
(Drew Leder, The Absent Body, 1990)